A Guide to Ageless Makeup for Women Over 50, According to an Industry Veteran


In her 70 years, Sandy Linter has lived many lives as a make-up artist.

In 1969, the Staten Island-born visionary started her career working for famed celebrity hairdresser Mr. Kenneth in New York City, his clients Jackie Onassis and Barbara Walters serendipitously finishing up in her makeup chair. In the ’70s, she struck out on her own, touchdown high profile editorial work with photographers, including Irving Penn, Helmut Newton, and Arthur Elgort, even as embodying the generation’s work-tough-play-difficult mentality and becoming a magnificent fixture at Studio 54. And via the ’80s, she became often painting the faces of supermodels Iman, Cindy Crawford, and Patti Hansen for foremost campaigns and Vogue pages. And due to the fact then, Linter hasn’t bogged down. In truth, with age, her skill set has grown, as she’s persevered to paintings with a laundry listing of well-known faces along with Christie Brinkley, Debbie Harry, and Rita Wilson.

Ageless Makeup

I can consider being younger Sandy the make-up artist after which middle-aged and the similarly on then center elderly…” she laughs, about her personal evolution over her many years-lengthy careers. While the style enterprise is, at lengthy last, embracing girls above a certain age, Linter believes there may be no time like the gift for older ladies to now not simply embrace make-up—however, have fun with it. “There are not any rules!” she insists, with simply one addendum: “Wear the makeup, do not have it wear you. Instead of trying to hide flaws, decorate what you have.” Here’s Linter’s guide to ageless splendor, from herbal-searching coverage to subtle tricks that make the eyes pop.

Create a Glowing Base

Needless to say, following a committed skin-care recurring—cleaning, moisturizing, and exfoliating—is a vital approach for attaining a healthful complexion, in particular over the years. Before making use of make-up, unfold on a veil of a hydrating yet weightless moisturizer on clean pores and skin. “Heavy moisturizers are simply now not well suited with makeup,” says Linter. According to the pro, La Mer’s Crème de l. A. Mer Moisturizing Cream moves the right stability between nourishing the skin for a dewy finish without compromising the layers that follow. After the moisturizer sinks in, you can goal regions with the best lines or dry patches with a short-soaking up primer, like Dermablend’s Insta-Grip Jelly Face Primer with its soothing gel texture as desired.

Cover Up Conservatively

You cannot cover wrinkles, so do not attempt to, because you’re only going to attract extra interest to them,” says Linter. To even out skin tone, she indicates the usage of a wet sponge or foundation brush to use a sheer, hydrating foundation, like Kevyn Auction’s The Etherealist formulation, so that it “doesn’t look plastered to the face.” Then, use a robust but light-weight creamy concealer that blends without difficulty—Giorgio Armani’s High Precision Retouch Concealer is her go-to—on the greater ruddy or hyperpigmented regions. For the eyes, focus on the under eyes and tear ducts to efficaciously counteract dark circles. “Most women get darkest at the inner nook in their eye rather than the outer corners where you smile and have the snicker traces,” she explains.

Warm Up the Skin

When selecting a basis or concealer coloration, one might be inclined to are seeking out an actual shape, but Linter shows going a coloration or warmer to ensure you do not appear washed out. “If it’s too matchy-matchy, it may age you,” she says. And in that case, it’s especially crucial to extend coverage beyond the visage. “After the face, take a basis brush and blend very slightly across the neck, so it doesn’t look apparent,” instructs Linter. Then comes bronzer—and no longer only for the cheeks. “I apply it to absolutely everyone over 50 because it warms up the skin in a natural manner,” she explains, adding that she’ll sweep Serge Lutens’s Complexion Perfector under the cheekbone, down the edges of the nostril, across the brow, and under the jawline for a chiseled glow.

Sculpt and Lift Subtly

Smiling simultaneously as you observe blush has long been noted as a standard, attempted-and-genuine approach; however, it is no longer as effective as you age, says Linter. “Instead of at the apples of the cheeks, I like to use blush at the top of the cheekbone after which mixture inward,” she explains. “You want to point the eye as much as decorate.” As for sunglasses, she prefers muted rosy sun shades like MAC’s Powder Blush in Prism. “I’ve been the use of it because the ’90s!” she says. For extra impact, Linter will layer—first with cream components, like Kevyn Aucoin’s The Creamy Glow, and then send it off with a powder. “Sometimes simply the cream is sufficient,” she says. It’s a step Linter normally skips; however, it appears to Dermablend Banana Powder if essential.